Dirk Gilbert
captures Jim Morrison with his powerful bluesy style and commanding stage presence…
All eyes are on Dirk as he executes with intensity…
You will be amazedThe Lizard King Lives
Dirk doesn’t imitate Jim Morrison; he channels him so convincingly you’ll check the green room for existential poetry scribbled on napkins. His hypnotic vocals, unpredictable charisma, and smoldering stage presence will have you questioning what year it is—and if your parents might have been at this very show the first time around. Fear not, though—this Morrison always finds his way back from the desert (and the minibar).
Larry Kayne
a dynamic and tasteful guitar player evokes the tone and feel of Robbie Krueger’s jazzy chord voicing and mesmerizing extended solos
Guitar Guru & Keeper of the Krieger Flame
With a slide in one hand and a soul soaked in flamenco, jazz, and raw rock energy, Larry resurrects Robby Krieger’s iconic guitar licks with such precision it’s like hearing history replayed in high-definition. From the smoky introspection of “The End” to the blistering riffs of “Roadhouse Blues,” Larry doesn’t just play the guitar—he tells stories with every note. And yes, he does make it look easy… because he secretly made a deal with the Mojo Risin’ spirits.
Michael Sean White
pounds out precise drum rhythms, blending rock and jazz like John Densmore in his prime
Groove Master & Keeper of the Sacred Densmore Drum Rituals
Michael doesn’t just keep the beat—he is the beat. Channeling the jazz finesse and tribal thunder of John Densmore, his hands and feet conduct the kind of rhythmic sorcery that makes crowds sway, stomp, and lose all sense of time (and sobriety). When he’s behind the kit, you’re not just listening to drums—you’re experiencing a masterclass in how to make a room feel alive.
James Harrison Graff
at the piano, Fender Rhodes electric piano, Vox Continental organ, and vintage saxophone delivers with the skill and virtuosity of Ray Manzarek
The Sonic Sorcerer of the Sixties
James doesn’t just play Ray Manzarek’s iconic keyboard parts—he practically holds a séance with every vintage instrument Ray ever touched. From conjuring the fiery intro, swirling solo, and smoky outro of “Light My Fire” on a Vox Continental, to nailing the dreamy rain-soaked Fender Rhodes textures of “Riders on the Storm,” James is a walking, talking, organ-wielding time machine. Harpsichord? Celeste? Saxophone!? He’s got them all, folks—note-for-note, soul-for-soul, just like you remember… or wish you did.
Franklin Hill
on bass is a driving force that solidifies the foundation of Doors Alive
Bassline Architect & Groove Engineer
Though The Doors famously had no full-time bassist (15+ on all the recordings and shows!), Franklin Hill makes you wonder why they didn’t hire him back in ’67. Laying down grooves so deep they need their own zip code, Frank fills the low end with enough warmth and punch to turn every classic hit into a body-shaking experience. His basslines don’t just support the music—they strut through it like they own the Sunset Strip.